The orchestra

One of the world’s great small orchestras, the Tasmanian Symphony Orchestra performs hundreds of concerts across the state each year. Tasmania’s number one cultural export, the TSO reaches millions of listeners and viewers globally via broadcast and streaming.

Tasmania.

47 and more

Our orchestra is made up of 47 full-time, expert musicians who proudly call Tasmania home.

Tasmania.

Our home stage

While we call the Federation Concert Hall in Nipaluna / Hobart home, we also regularly perform in St David’s Cathedral in Nipaluna / Hobart and in Launceston’s Albert Hall and Princess Theatre.

Tasmania.

We go all over

Our musicians travel year-round, performing in schools, community halls, pubs and other venues across the island.

Tasmania.

Recording

Our concert hall is also an international recording hub and we’re the most recorded, broadcast, filmed and streamed orchestra in Australia.

MEET THE ORCHESTRA

Conductor.
Conductor
Double bass.
Cello
Viola.
Violin
Viola.
Viola
Cello.
Double Bass
Flute.
Woodwind
Percussion.
Timpani & Percussion

Diagram showing where the conductor stands.
Eivind Aadland

Eivind Aadland

Supported by Anonymous

During performances, the conductor is at the front of the stage facing the orchestra, often standing on a podium. The conductor leads the musicians with hand gestures, full body movement and even facial expression and eye contact.

As our Chief Conductor, Eivind Aadland leads our orchestra by interpreting the music and guiding our musicians during rehearsals and performances. As Artistic Director, he leads the team that decides the music we play, as well as which guest artists and conductors we invite to work with us. He is also responsible for artistic standards and overseeing the artistic vision and creative direction of the orchestra.

We’re joined regularly by acclaimed guest conductors from around the world, each bringing different musical perspectives and expression to our concerts.

Diagram showing where the violins sit.

Violins make up the largest section of the orchestra and these players are known for their fast-fingered agility, high-pitched virtuosity and ability to create flowing melodies.

Within the violins there are two sections – first violins and second violins, each with distinct roles. The firsts often carry the tune, and the seconds carry the harmony or countermelody. 

In many orchestras, violinists only ever play in one section, while at the TSO our tutti violins rotate. As a result, our violinists are uncommonly versatile and flexible. 

The violin section is headed by the Concertmaster, who also helps the conductor lead the entire orchestra.

Emma McGrath

Concertmaster

Supported by Rob and Patricia Greenwell

Ji Won Kim

Associate Concertmaster

Lucy Carrig-Jones

Principal Second Violin

Jennifer Owen

Principal First Violin

Supported by Mountain Air Foundation

Miranda Carson

Tutti Violin

Supported in memory of Darrell Jones

Yue-Hong Cha

Tutti Violin

Supported by Anonymous

Tobias Chisnall

Tutti Violin

Supported by Anonymous

Edwina George

Tutti Violin

Christine Lawson

Tutti Violin

Elinor Lea

Tutti Violin

Susanna Low

Tutti Violin

Supported by Marc & Susan Duldig & Anonymous

Christopher Nicholas

Tutti Violin

Supported by Emeritus Prof Andrew Glenn & Dr Odile Glenn

Rohana O'Malley

Tutti Violin

Vacancy

Tutti Violin

Diagram showing where the violas sit.

Slightly larger and sitting slightly lower in pitch to the violins, the viola adds depth and resonance to the sound of the smaller strings. Our violists play essential middle harmonies and complete the texture of the orchestra’s sound.

Violas can be brilliant and powerful, but also mellow and warm. Keep an eye and ear out for composers who judiciously choose to feature the violas in meaningful moments when a change in tone and character is required.

Caleb Wright

Principal Viola

Douglas Coghill

Tutti Viola

Supported in memory of Margaret Sharpen

Anna Larsen Roach

Tutti Viola

Supported by Dr Di Stow

William Newbery

Tutti Viola

Supported by Bill Oakley OAM

Karina Schmitz

Tutti Viola

Diagram showing where the cellos sit.

The cello (short for violoncello) is the second largest member of the string family. Often described as the closest string instrument to the human voice, the cellos bring warmth, depth, and emotional resonance to every performance. Their rich, expressive sound anchors the orchestra’s harmony and often carries many of its most lyrical moments.

Traditionally seated on the right-hand side of the stage, the cellos create a balanced dialogue with the violins and add a powerful, grounded presence to the overall sound.

Jonathan Békés

Principal Cello

Supported by Anne & Don Challen AM

Ivan James

Tutti Cello

Supported by Cath Adams & Steve Craft

Nicholas McManus

Tutti Cello

Supported by Anthony J McGee AM

Martin Penicka

Tutti Cello

Diagram showing where the double basses sit.

The largest string instrument, double basses underpin the orchestra’s harmony and provide the deep, warm tone on which the resonance of the entire orchestra depends.

As one of the TSO’s secret weapons, our double bass section provides a clarity of tone that allows the audience to hear every note, and forms the foundation of the music at any given moment.

Double basses may be massive, but if you watch and listen carefully you’ll see how agile these players – and their instruments – are.

Stuart Thomson

Principal Double Bass

Supported by Patricia Leary

Vacancy

Tutti Double Bass

Matthew McGrath

Tutti Double Bass

Supported by Catherine & David Hamilton

Diagram showing where the woodwinds sit.

Consisting of flutes, oboes, clarinets and bassoons, our woodwinds act as the colour palette of the orchestra. They span the full pitch range, from contrabassoon-low to piccolo-high.

Each member of the woodwind family is unique and these musicians often feature in characteristic solos.

As a section they add sparkle, energy and clarity to the overall orchestral texture, while also functioning as harmonious blocks of sound.

Our woodwind musicians are sometimes thought of as athletes of the orchestra, perhaps due to how strong their lungs need to be.

This fact – of musicians needing to breathe in and out to play the instruments – gives woodwinds a distinct vocal quality.

Once you recognise their signature sounds, these instruments are impossible to miss.

Katie Zagorski

Principal Flute

Supported in memory of Ian Hicks

Lloyd Hudson

Principal Piccolo / Tutti Flute

Vacancy

Principal Oboe

Dinah Woods

Principal Cor Anglais / Tutti Oboe

Supported by John Cauchi AM & Catherine Walker

Andrew Seymour

Principal Clarinet

Supported by Dr Peter Stanton

Eloise Fisher

Principal Bass Clarinet / Tutti Clarinet

Supported by Louise & Tim Mooney AM

Tahnee Van Herk

Principal Bassoon

Supported by Dr Hilary Wallace

Melissa Woodroffe

Principal Contrabassoon / Tutti Bassoon

Diagram showing where the horns sit.

Our brass section includes horns, trumpets, trombones and a tuba. Although they’re part of the same instrument family, our horns usually sit to the left when looking at the stage, while our trumpets, trombone and tuba are to the right.

Trumpets, trombones and tuba play distinct roles such as soaring solos and triumphant fanfares. Together they provide brilliance, majesty and lyricism. This section has the largest dynamic range of the orchestra, from an airy pianissimo (a very softly played section of music) to a spine-tingling fortissimo (very loud).

The horns function as the ‘glue’ between the winds, brass and string sections. There is no limit to their expressive and harmonic capabilities – heroic and moving solos, quirky interjections, harmonic blending and long, held notes.

If you look closely you'll see the bells of the horns face the back of the stage and you may notice their sound seems to be almost reflected, as if heard from a distance.

Greg Stephens

Principal First Horn

Supported by Anonymous

Claudia Leggett

Principal Third Horn

Supported by Anonymous

Roger Jackson

Tutti Horn

Julian Leslie

Tutti Horn

Fletcher Cox

Principal Trumpet

Supported by Chris & John Sandow

Mark Bain

Tutti Trumpet

Supported by Belinda Kendall-White

David Robins

Principal Trombone

Supported by Ang Madden

Jackson Bankovic

Tutti Trombone

Vacancy

Principal Bass Trombone

Rachel Kelly

Principal Tuba

Supported by Marie Heitz

Diagram showing where the percussionists sit.

The timpanist’s role is separate to percussion and forms the rhythmic and harmonic heart of the orchestra.

Timpani are a type of kettle drum with adjustable pitch. These instruments colour the music in important ways, adding resonance and power to a performance.

Percussion covers the whole gamut of instruments that can be hit or shaken including drums, cymbals, xylophones, gongs and bells – even the slide whistle and typewriter.

Percussionists provide rhythmic drive as well as moments of sparkle, such as the triangle at the top of a lyrical phrase.

Watch carefully as the energy of the orchestra builds towards a thunderous finale and you might spot our percussionist preparing for a perfectly timed cymbal crash.

Matthew Goddard

Principal Timpani

Supported by David & Glenys Rich

Gary Wain

Principal Percussion

Supported by Caroline Sharpen

Did you know?

We’re proud to be one of Australia’s leading performing arts companies and part of the DNA of Tasmanian cultural life – we have been inspiring, invigorating, and delighting audiences through music since 1948.

Jean-Baptiste Vuillaume (1798–1875) crafted 3000+ instruments in his time and we’re very proud to have a violin made in 1845 on loan from two of our generous Tasmanian patrons.

Our artistic collaborators include Violent Femmes, James Ehnes, The Cat Empire, Birds of Tokyo, The Whitlams, William Barton, Missy Higgins, Ben Folds, Meg Washington, Nina Stemme, The Wolfe Brothers, Joyce DiDonato, Camilla Tilling, Kate Miller-Heidke, Katie Noonan, Eskimo Joe and Yeol Eum Son.

Our orchestra has played across Australia and overseas, including tours of China, South America, Canada and Japan.

More of our Musicians

TSO Chorus

Learn more about the internationally acclaimed TSO Chorus and find out how to audition.

Represented Composers

Go to the TSO Publishing website and meet the composers represented by our publishing house.

Vacant Positions

If you’re interested in joining the orchestra you can see vacant positions on our careers platform.