Concert Program

Obscura 1 | Tawadros

Friday 14 February 2025 6pm
Odeon Theatre, Nipaluna / Hobart

From the Obscura Series

Joseph Tawadros curator & oud
performer, with James Tawadros
on percussion, Emma McGrath
on violin and TSO Strings.
A live orchestral performance on a dimly lit stage, featuring a mix of violinists, cellists, and other musicians. Two spotlight beams highlight the central performers, a violinist and another musician standing close together, deeply immersed in their performance. The background features abstract, textured fabric installations, adding a dramatic visual element to the scene.

The Tasmanian Symphony Orchestra acknowledges the traditional owners and continuing custodians of Lutruwita / Tasmania. We pay respect to the Aboriginal community today, and to its Elders past and present. We recognise a history of truth, which acknowledges the impacts of colonisation upon Aboriginal and Torres Strait Islander people and stand for a future that profoundly respects their stories, culture, language and history.

About the concert

Works

💡 FIRST-TIMER TIP

A 'movement' is a longer piece of music broken up into bite-size pieces. It makes it easier to perform and provides contrast within the work. Find out more here.

Tawadros Oud Improvisation (3 mins)

Tawadros Dreaming Hermit (3 mins)

Tawadros Give or Take (2 mins)

Tawadros Kindred Spirits (8 mins)

Tawadros Permission to Evaporate (7 mins)

Tawadros Eye of the Beholder (5 mins)

Tawadros Point of Departure (7 mins)

Tawadros Bluegrass Nikriz (7 mins)

Joseph Tawadros posing with his instrument, the oud

Joseph Tawadros.

Concert 101: Learn about the works being performed

For the enjoyment of all in the concert hall, please only watch Concert 101 before or after the performance. 

Uncover the stories behind the works.

Youthful charm

Oud Improvisation

By Joseph Tawadros

3 minutes

You guessed it! Joseph weaves improvised melodies with his oud.

A force of nature

Dreaming Hermit

Composed by Joseph Tawadros

3 minutes

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The names of movements in symphonies often follow traditional conventions that give insight into the character, tempo, and sometimes the form of each section.

These terms not only instruct performers on the tempo and mood of each movement but also guide listeners through the emotional and narrative arc of the symphony. For example, ‘Allegro’ refers to tempo and ‘molto’ translates to very, so: very fast!

Dreaming Hermit is an invitation to let your mind wander and relax. The piece featured on Joseph Tawadros’ 2014 album, Permission to Evaporate. The album showcases Tawadros' innovative blend of traditional Middle Eastern music with contemporary jazz and classical elements. Permission to Evaporate received critical acclaim, winning the ARIA Award for Best World Music Album in 2014.

Mahler’s Magic Horn

Give or Take

Composed by Joseph Tawadros

2 minutes

Give or Take, released 2010, is a dynamic composition known for its rapid tempo and intricate interplay between instruments.
From the very start, the piece is like a race—quick, playful, and full of unexpected twists. The notes tumble out like they’re chasing each other, but there's precision beneath the chaos.

Mahler’s Magic Horn

Kindred Spirits

Composed by Joseph Tawadros

8 minutes

Kindred Spirits features intricate melodic lines on the oud, supported by the deep, resonant tones of double bass. Once again Middle Eastern rhythms meet with the looseness and freedom of jazz.

Mahler’s Magic Horn

Permission to Evaporate

Composed by Joseph Tawadros

7 minutes

Permission to Evaporate evokes a sense of melancholy intertwined with hope and healing. The oud leads with expressive melodies, while the strings provide a rich harmonic backdrop, creating a contemplative and emotive atmosphere.

Mahler’s Magic Horn

Eye of the Beholder

Composed by Joseph Tawadros

5 minutes

Eye of the Beholder was first featured on Joseph Tawadros’ 2014 album. Permission to Evaporate and later performed live with the Sydney Symphony Orchestra at the Sydney Opera House in 2019.This piece blends different worlds into one sound - part Middle Eastern, part classical, part cinematic.

Mahler’s Magic Horn

Point of Departure

Composed by Joseph Tawadros

7 minutes

This is piece holds deep personal significance for the Tawadros brothers, it was composed in 2014 following the passing of their mother in 2012 and their father in 2013. Listen for the sense of longing in the music, giving way to acceptance and peace.

Mahler’s Magic Horn

Bluegrass Nikriz

Composed by Joseph Tawadros

7 minutes

This piece is a unique fusion of bluegrass — a genre rooted in American folk and country music — and the Middle Eastern Nikriz scale, showcasing Tawadros' innovative approach to blending diverse musical traditions. It sounds quick and bouncy, and oud has a plucked and twangy feel, like a banjo.

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Musicians

Joseph Tawadros

Guest curator & oud performer

Supported by Anonymous

Joseph Tawadros

b. Cairo, Egypt. 1983

Joseph Tawadros AM is a world-leading oud virtuoso, composer, and eight-time ARIA award winner. Born in Cairo, he has redefined the oud’s role in contemporary music, blending Middle Eastern, jazz, and classical influences. His performances are known for virtuosity, storytelling, and joyous energy, captivating audiences in concert halls worldwide.

Joseph’s drive to push musical boundaries has led to collaborations across genres. He performs solo, in duo with his brother James on Egyptian percussion, with his jazz quartet, or alongside chamber and symphony orchestras globally. His music has been performed by major ensembles, including the Australian Chamber Orchestra, BBC Symphony, Brodsky Quartet, and Sydney Symphony Orchestra, where his Concerto for Oud & Orchestra was recorded by ABC Classics in 2019. He remains the only Australian composer featured by the Academy of Ancient Music in the UK.

A prolific recording artist, Joseph has worked with jazz greats such as John Abercrombie, Jack DeJohnette, Christian McBride, Mike Stern, and Bela Fleck, as well as classical luminaries like Richard Tognetti, William Barton, and Andreas Scholl. His oud can also be heard in film and TV, including Ali’s Wedding, The Water Diviner, and House of Cards.

In 2023, Joseph performed at the World Economic Forum in Davos, premiered The Three Stages of Hindsight with Britten Sinfonia, and completed a 25-hour oud marathon for charity. 2024 has seen him tour America with the Australian Chamber Orchestra, debut in Canada with Orchestre Symphonique de Montréal, and perform at the Olympic Stadium before 15,000 people.

Awarded Member of the Order of Australia (AM) in 2016, Joseph continues to expand the oud’s reach, bridging musical traditions with innovation and passion.

James Tawadros

Percussionist

Supported by Anonymous

James Tawadros

b. Sydney, Australia. 1989

“If genius is partly exceeding all likelihood of a given potential, then James Tawadros was flirting with genius as he played the riq’, a small tambourine. He extracted an array of sounds, textures and rhythms to shame most kit-drummers.”
- SYDNEY MORNING HERALD

James is a world class percussionist and soloist. His main instrument is the Riqq; a small hand-held tambourine, traditionally with skin covering and five pairs of cymbals. A autodidactic child prodigy, James’ unique innovative style and mastery of this ancient instrument that has brought him great acclaim worldwide, making his Australian Chamber orchestra debut at just 15 years of age. His dexterity, rhythmic variety and virtuosity continue to amaze audiences and He has performed internationally with many celebrated artists and regularly accompanies his brother Joseph in concert.

Some of his career highlights as soloist include orchestral tours with the Australian Chamber Orchestra and Camerata Salzburg,
as well as a duet recording collaboration with legend jazz drummer Jack DeJohnette (of Miles Davis fame) for the album The Hour of Separation. He has performed with greats such as Béla Fleck, John Abercrombie, John Patitucci, Howard Johnson, Richard Bona, Joey DeFrancesco, Roy Ayers, Christian McBride and Mike Stern to name a few. Alongside his brother Joseph, he has picked up 5 ARIA Awards for Best World Music Album in 2012, 2013, 2014, 2020 and 2022.

In 2017, James made his premiere with the BBC Symphony Orchestra at the BBC Proms and most recently performing with the Morphing Chamber Orchestra at the World Economic Forum in Davos, Switzerland. James holds a Masters degree in Biomedical Engineering from University of Technology in Sydney.

Emma McGrath

Violinist

Supported by Anonymous

Emma McGrath

British-American-Australian violinist Emma McGrath is the Concertmaster of the Tasmanian Symphony Orchestra. She enjoys an international and varied career as a Concertmaster, soloist, chamber musician, conductor, teacher, educator, and mentor.

Emma has appeared as a Guest Concertmaster/Leader with the Sydney Symphony Orchestra, Opera Australia, Adelaide Symphony Orchestra, West Australia Symphony Orchestra, Orchestra Wellington, BBC Symphony Orchestra, BBC Philharmonic Orchestra, the Hallé, Royal Liverpool Philharmonic, Royal Northern Sinfonia, Castilla y León Symphony Orchestra, and the Jacksonville Symphony Orchestra. She has performed as a soloist all over Europe, Asia, Australia, and the USA.

Highlights include Max Richter’s ‘Recomposed’ to sold-out audiences as part of the Dark Mofo Festival, and concerti and solos by Britten, Mozart, Bruch, Saint-Saens, Vivaldi, Piazzolla, Vaughan Williams and Bottesini with the Tasmanian Symphony Orchestra. An avid chamber musician, Emma was a member of the award-winning Panormo Quartet in London, the Starling Quartet in Pittsburgh, and the Kettering Piano Quartet and the Tasmanian String Quartet in Hobart. She has also participated in the Bangalow Music Festival, the Tasmanian Chamber Music Festival, and the Strings Music Festival in Steamboat Springs.

Prior to moving to Tasmania, Emma was the Assistant Concertmaster of the Colorado Symphony, and the Associate Concertmaster of the Seattle Symphony.

She is also a professional singer, baroque violinist, and conductor - and enjoys bushwalking in Tasmania’s wild places in her spare time!

Artists

Emma McGrath Violin & Director

Joseph Tawadros Oud

James Tawadros Percussion

TSO Strings

PRODUCTION

Mark Hayes & Nick van den Enden Lighting

Bob Gardam Sound Engineer

Alethea Coombe Score Caller

Emily Becker Stage Manager

Kayne Johnson & Gavin Wolfe Production

Sophia Mitchell Artist Liaison

Violin

Emma McGrath Concertmaster

Ji Won Kim Associate Concertmaster 

Lucy Carrig-Jones Principal Second

Tobias Chisnall Principal First

Miranda Carson

Yue-Hong Cha

Michael Johnston

Elinor Lea

Susanna Low

Christopher Nicholas

Rohana O’Malley

Hayato Simpson

 

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Did you know our Concertmaster plays a violin hand-crafted by one of the finest and most important luthiers (a string-instrument maker) of the nineteenth century, Jean-Baptiste Vuillaume (1798–1875).

He crafted 3000+ instruments in his time and we’re very proud to have a violin made in 1845 on loan from two of our generous Tasmanian patrons.

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Caleb Wright Principal

Anna Larsen Roach

Curtis Lau

William Newbery

Cello

Jonathan Békés Principal

Ivan James

Nicholas McManus

Martin Penicka

Double Bass

Stuart Thomson Principal

Matthew McGrath

Flute

Lily Bryant Guest Principal

Lloyd Hudson Principal Piccolo

Oboe

Sarah Young Guest Principal

Dinah Woods Principal Cor Anglais

Clarinet

Andrew Seymour Principal

Eloise Fisher Principal Bass Clarinet

Bassoon

Tahnee van Herk Principal

Melissa Woodroffe Principal Contrabassoon

French Horn

Greg Stephens Principal First

Claudia Leggett Principal Third

Jules Evans

Roger Jackson

Julian Leslie

Trumpet

Fletcher Cox Principal

Mark Bain

Melanie Wilkinson

Trombone

David Robins Principal

Jackson Bankovic

Bass Trombone

Mitchell Nissen Principal

Tuba

Rachel Kelly Principal

Timpani

Matthew Goddard Principal

Percussion

Gary Wain Principal

Harp

Meriel Owens Guest Principal

Piano/Celeste

Michael Power Guest Principal

*Correct at time of publishing

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