As a talented luthier and seller of high quality European string instruments, Doug is passionate about matching musicians with their perfect instruments.
He recently had this pleasure when fellow violists Mattea Osenk and Angelina Kim visited Hobart to perform with the TSO.
Mattea and Angelina, who are both with the Australian National Academy of Music (ANAM), have each purchased a viola made by Doug.
‘I've spent a long time playing on not very great instruments that were just lent out to me. But now that I found this one, I'm so happy. I just feel very grateful to have a really good quality viola, and one that I enjoy playing,’ Angelina says.
ANAM musicians Angelina Kim (left) and Mattea Osenk (right), with TSO viola player and luthier Doug Coghill.
It is fascinating to hear musicians describe their relationship with their instruments.
For Angelina, her viola is like ‘just like a pet’.
‘Violas have very different personalities, so it is just like a pet in a way. Obviously, sound is really important (when choosing a viola), but also the look is also a very big thing for me personally. Doug has been sending me progress photos while he’s been making this instrument, but I was so excited to get here and see the finished product,’ Angelina says.
For Mattea, the connection is a little different.
‘For me, I see it more as a friend – without getting too deep! We have to we spend so much time alone with our instruments, so it's got to be like your best friend, in a sense. Like any sort of relationship, you have fights and you don't always get along. But at the end of the day, when you get up and perform it really is just you and your instrument,’ Mattea says.
‘And, anytime I feel any sort of overwhelming emotion, I can always just go to my viola and practice, and it'll take my mind off things,’ she adds.
Doug travelled to northern Italy last year to meet with fellow luthiers and to source wood for his violas – predominantly maple and spruce. Each viola takes about three months to make.
‘When I made Mattea’s and Angelina’s violas, I deliberately made a small scroll because I wanted to try and make it as lightweight and ergonomic as possible,’ Doug explains.
‘The biggest challenge is to try and get all of the depth and the sound and the power, but it to be small enough that it's playable for people who don't have a big stretch,’ he says.
Doug developed a love of both music and woodwork from his late grandfather, a mining engineer from Broken Hill who took up instrument-making in retirement.
A graduate of ANAM, Doug started making violins and violas professionally around the time he won a permanent position with the TSO in 2016.
He now works part time in the orchestra, which allows him to properly devote himself to the craft of being a luthier.
See Doug's work at coghillstringinstruments.com and see him performing at an upcoming TSO concert.
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