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Songs of Ceremony: Reawakening Songs in palawa kani

10 July 2025.

The TSO is honoured to be collaborating with singer/songwriter Dewayne Everettsmith on a major music project in palawa kani, the language of Tasmanian Aboriginal people.

Songs of Ceremony: Reawakening Songs in palawa kani celebrates the ancient continuous culture of Lutruwita / Tasmania – one of the world’s oldest continuous cultures.

Featuring songs written and sung by Dewayne, who is a proud Palawa, the project includes a studio album recording, a regional tour, public and community performances, and educational resources for schools.

With the guidance from palawa kani specialists, and a commitment to Indigenous Cultural and Intellectual Property (ICIP) protocols, the project is led by Dewayne, in collaboration with Executive Producer Michael Hohnen from Darwin based record label Skinnyfish Music, conductor/arranger Erkki Veltheim, and the TSO.

The songs of the album are written and performed in palawa kani, the language of Tasmanian Aboriginal People, revived and reconstructed from the many languages that existed in Lutruwita / Tasmania before the impacts of British colonisation and invasion.

As part of the project, one of the album's songs, Lutruwita, will be taught in schools across the state.

‘It’s truly exciting to live out a dream: to bring a story of my Country, Culture, Elders and People to life in a way I know how,’ Dewayne says.

‘None of this would be possible without the love and support of many and the cultural allies who advocate for a future built on contribution rather than competition.’

Dewayne Everettsmith with the TSO.

Conductor/arranger Erkki Veltheim (left) and Dewayne Everettsmith, rehearsing with musicians of the TSO.

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Singer and songwriter Dewayne Everettsmith.

‘It all began with the birth of my first child.’ 

For Dewayne, Songs of Ceremony has been a dream since he first became a father in 2010. 

‘In the first couple of minutes of holding my son in my arms I wished I could sing to him in language,’ he says.  

‘The dream is to reawaken songs of ceremony for Palawa people so that our children can sing to their children in language and so on and so on, creating opportunities to embed our cultural strengths and resilience. And then to bring non-Aboriginal people into a story of cultural immersion and allyship.’ 

Dewayne and the TSO acknowledge the Tasmanian Aboriginal Centre and the Tasmanian Aboriginal People and community language specialists who have worked diligently to reawaken the Palawa language, now palawa kani, using wordlists and oral history from the many languages spoken in Lutruwita (Tasmania). 

‘Without a doubt one of the most important projects in the orchestra’s history’ 

TSO chief executive Caroline Sharpen describes the project as one of the most important in the orchestra’s 77-year history. 

'Hearing these songs come together has just been a profoundly moving experience for all of us. We have no doubt this is a project of national significance, and a very important story for Tasmania around the world,’ Caroline says. 

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Executive Producer Michael Hohnen (centre) from Darwin based record label Skinnyfish Music.

Aerial view of the orchestra.

Conductor/arranger Erkki Veltheim and Dewayne Everettsmith, rehearsing with musicians of the TSO.

‘Dewayne's interested in things not always being comfortable. He likes this idea that there's tension’ 

For Erkki Veltheim, the composer of the orchestra's melodies for the album, ‘it is extraordinary to be part of such a special project’. 

‘Dewayne has talked a lot about the idea that we're on this journey together. He wants to really join the local Aboriginal and non-Aboriginal cultures together, using the symphony orchestra, which is an old ceremonial tradition of Western culture,’ Erkki says. 

‘I'm trying to tap into both what Dewayne's talking about in terms of the local culture and the ceremonies and the connection of nature – hence, using transcriptions of local bird calls for instance – but also acknowledge the history of Western orchestra music. It's a real synthesis of the two together. Dewayne's also interested in things not always being comfortable. He likes this idea that there's tension,’ he says. 

This project is funded by the Creative Futures Fund. An initiative of the Australian Government’s National Cultural Policy Revive, the Creative Futures Fund aims to support ‘the creation and sharing of Australian stories, and new ways for people to engage with them’.   

The TSO is also grateful to TasNetworks, whose support is helping to expand this powerful cultural project into Tasmanian schools. Thanks to TasNetworks’ involvement, one of the album’s songs will be taught in classrooms across the state, supporting cultural learning from a young age. 

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