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Three stars, three works, one dazzling concert

28 March 2025.

What were you doing at age eight?

Most of us were still figuring out how to ride a bike or punishing the neighbours with the recorder – but not Wolfgang Amadeus Mozart.

At just eight years old, Mozart was already composing music that would go on to be performed centuries later. His Symphony No. 1 in E-flat major may be short and relatively simple, but it already hints at the musical instincts that would make him one of the most beloved composers in history.

This little known piece by a youthful Mozart opens our upcoming concert on 4 April 2025, which centres on Beethoven's Triple Concerto.

Written for violin, cello and piano with orchestral accompaniment, this is a Beethoven rarity. It’s the only concerto he composed for multiple soloists.

Performed by our Concertmaster Emma McGrath, our Principal Cello Jonathan Békés and pianist Konstantin Shamray, this performance will be as much about musical teamwork as virtuosic display. The three solo instruments don’t just take turns showing off, they riff off of each other and occasionally engage in friendly musical skirmishes.

The concert closes with Mozart's mighty final symphony, the crowning achievement of his career as a symphonist.

If his Symphony No. 1 shows the beginnings of his genius, Mozart's Symphony No. 41, ‘Jupiter’, shows it at full bloom. It is expansive, joyful and endlessly inventive. The final movement weaves together five different melodies in a dazzling show of counterpoint.

Conducting the orchestra is Dutch conductor and Music Director of the Vancouver Symphony Orchestra, Otto Tausk, whose previous appearances with TSO have been full of charisma and character.

Violinist in a shimmering bronze gown performs passionately on stage, eyes closed in concentration. She is surrounded by orchestra members in black attire, seated in front of a warm wooden acoustic panel backdrop.
Cellist in a bright blue patterned shirt performs passionately on stage, leaning into his cello with a focused expression. The background features wood paneling and a second musician on double bass partially visible behind him.
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About the artists

Violinist Emma McGrath is TSO’s Concertmaster and well known as a star soloist on the Federation Concert Hall stage and in our Obscura at the Odeon series. Known for her stylish playing and engaging stage presence, Emma also brings a wealth of international experience, having held leadership positions in major orchestras in the US and UK.

Alongside her is Jonathan Békés, TSO’s Principal Cello. Since arriving in Tasmania in 2018, Jonathan has become not just a core part of the orchestra, but a creative force behind our genre-blending Live Sessions series. His energy and artistry have made him a favourite with audiences across the state.

Joining Emma and Jonathan is pianist Konstantin Shamray, who has performed with orchestras around the world. Based in Australia, Konstantin shot to prominence after winning the Sydney International Piano Competition – and remains the only person in the competition’s history to have won both the First Prize and the People’s Choice Award. His playing is known for its clarity, colour and expressive power.

Black and white image of a male pianist in a tuxedo, mid-performance at a grand piano with the lid open, his hands raised expressively above the keys. An attentive audience is dimly visible in the background, creating an intimate concert atmosphere.
Conductor in a dark suit with a bright orange pocket square leads the orchestra with focused expression and raised hands, while a violinist in a sparkly dress plays in the foreground. The background features additional orchestra members in performance.
Book now for Beethoven's Triple Concerto and explore upcoming events on our Concerts page.

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