Concert Program

OBSCURA 2 | Clothed in Words

Thursday 15 August 2024 6pm
Odeon Theatre, nipaluna / Hobart

From the Obscura Series

Curated by June Tyzack, featuring
the TSO Chorus and special
guests.
Obscura 2 | Clothed in Words

The Tasmanian Symphony Orchestra acknowledges the traditional owners and continuing custodians of lutruwita / Tasmania. We pay respect to the Aboriginal community today, and to its Elders past and present. We recognise a history of truth, which acknowledges the impacts of colonisation upon Aboriginal and Torres Strait Islander people and stand for a future that profoundly respects their stories, culture, language and history.

About the concert

Works

Dubra Hail, Queen of Heaven

Ešenvalds In Paradisum

Ešenvalds The New Moon

Latham Water, Wilds & Sky

Mazzoli Vesper Sparrow

Vasks The Fruit of Silence

Dove Ring Out, Wild Bells

💡 FIRST-TIMER TIP

A ‘movement’ is part of a longer work (a bit like the act of a play). Symphonies typically have four movements, concertos have three. There’s usually a contrast between adjacent movements – a fast movement is usually followed by a slow one, for instance. People traditionally clap at the end of the final movement in each work.

Find out more here.

Image

TSO Chorus

Concert 101: Learn about the works being performed

For the enjoyment of all in the concert hall, please only watch Concert 101 before or after the performance. 

From The Curator

Genevieve Lacey

 

"I'll play six different recorders in this concert.

All but one are handmade, wooden, exquisite instruments.

The smallest — the garklein — is so tiny my fingers can barely cover the holes.

Also up in the stratospheres is the sopranino, Vivaldi’s concerto instrument, which sounds like a tiny, trilling bird, used here for a couple of intense moments in Mary Finsterer’s ‘The Philosopher’s Dream’. Erkki’s Hildegard arrangement has me purely in the ether, on garklein and descant, playing abstracted bird calls, which is something recorders have done for centuries.

For Playford and Sellinger, I’m playing mainly two beautiful versions of instruments that look more like a recorder of the size most people know, both Australian made, one of mulga wood, by brilliant instrument maker Jo Saunders

Most of Mary’s piece ‘The Philosopher’s Dream’  is played on a tenor, which sounds like a breathy, haunted human voice. In her piece I also briefly play a bass, which is more than a metre long, and has a warm, beautifully mellow sound. 

Each recorder has its own character and voice, and playing the suite of instruments gives me great scope in terms of colour and range. 

The serene listening experience invites contemplation of the natural world, in all its wonder and fragility.

Of Ice and Stars’ alludes to the internal and external galaxies of the human imagination."

– From the curator, Genevieve Lacey

About the music

Hail, Queen of Heaven

For chorus a cappella

Composed by Rihards Dubra (1964 -)

Text by John Lingard (1771-1851)

Devoted exclusively to composing sacred music, and sitting alongside composers like John Tavener and Arvo Pärt, Latvian born Dubra has reinterpreted the church music of the past. He believes that ‘faith is the only purity in the world’ and therefore “cannot imagine anything better than to write only sacred music.”
Although in his essentially diatonic writing he uses chromaticism, aleatoric effects, repetitions, suspense, and other techniques to highlight the familiar sacred texts, he aims to affect his audience subconsciously and emotionally having encoded the meaning in the music.

Dubra describes his own music imbued with the essence of the Middle Ages as “a style of meditation through the view of a man who lives in the twenty-first century.”

💡 FIRST-TIMER TIP

The names of movements in symphonies often follow traditional conventions that give insight into the character, tempo, and sometimes the form of each section.

These terms not only instruct performers on the tempo and mood of each movement but also guide listeners through the emotional and narrative arc of the symphony. For example, ‘Allegro’ refers to tempo and ‘molto’ translates to very, so: very fast!

An American Classic

In Paradisum

For chorus, viola & cello

Composed by Ēriks Ešenvalds (1977 -)

Antiphon from the traditional Latin liturgy of the Western Church Requiem Mass

In Church Masses for the dead, the choir sings 'May the angels lead you into Paradise' as the body is taken out of the church. Here, the use of tremolando in the solo strings feels like the fluttering of angel wings high above a mostly wordless and homophonic chorus.
Ešenvalds dedicated this to his grandmother, who died the morning of the premiere.

An American Classic

The New Moon

For chorus, chimes & water-tuned glasses

Composed by Ēriks Ešenvalds (1977 -)

Text: Sara Teasdale (1884 – 1933)

This work belongs in a collection of songs by ten Latvian composers about the moon, written in 2012. Ešenvalds’ setting of Pulitzer Prize poet Sara Teasdale’s poem explodes with bitterness and despair before finding hope and renewal through the resilience of nature.
His relationship to choral music stems from the strong tradition in Latvia as well as his own experience as a professional chorister. A characteristic of Ešenvalds’ choral works is the use of tuned water-glasses. He said the idea came to him while washing dishes at Christmas time. The New Moon finishes with this other-worldly shimmering sound as “a maiden moon wakes up in the sky”.

“When composing a work, I give myself over to the temptation of the creative process – a journey, whose twisting roads persistently, but convincingly, bring me to the final sounds of the score. And only then do I exhale.”
Ēriks Ešenvalds

An American Classic

Water, Wilds & Sky

For chorus, tenor saxophone

Composed by Jabra Latham

Text by Amanda Mackinnon

Water, Wilds & Sky was commissioned by Catherine Cretan as a birthday present for her husband, Peter. The three-movement work draws inspiration from Peter's love of adventure and Tasmania's stunning landscape, setting the beautiful poetry of Amanda Mackinnon to music.

An American Classic

Vesper Sparrow

For chorus a cappella

Composed by Missy Mazzoli (1980 -)

Text by Farnoosh Fathi (1981 -)

Written for Roomful of Teeth, Mazzoli said “When I wrote it I never imagined anyone else singing it, […] because it was so particular for this group. But I’m open to different interpretations.”
Using text from Iranian-American poet, Farnoosh Fathi, originally titled ‘Vesper Sparrow’ but later, ‘Home State’, Mazzoli intersperses other incomprehensible syllables more like birdsong.

An American Classic

The Fruit Of Silence

For chorus & piano

Composed by Pēteris Vasks (1946 -)

Text by Mother Teresa (1910 -1997)

A very simple text within a sound world that Vasks describes as “a very silent meditation.” It is a setting of a prayer for peace by Mother Teresa. It opens with solo piano arpeggios not dissimilar to Arvo Pärt’s Spiegel im Spiegel. The voices eventually enter with ‘The Fruit of …’ – three words that repeat throughout on a path to peace.
The composer says this path has five signposts – prayer, faith, love, service and peace, and he wants this composition “…to serve as a reminder that such a path exists.”

An American Classic

Ring Out, Wild Bells

For double chorus & piano

Composed by Jonathan Dove (1959 -)

Text by Alfred, Lord Tennyson (1809 -1892)

With text from Tennyson’s In Memoriam, Dove’s setting in 2000 as the final movement of a choral cycle titled The Passing of the Year, emphatically emphasises the ills of society, namely the lies, the grief, the rich and poor divide, foul disease, greed, and wars. The bells in the piano part and across the double chorus ring in a new year and speak of an optimistic future.

Musicians

Jabra Latham

Composer and saxophonist

Supported by Dr Peter Stanton

Genevieve Lacey

Critics have responded to Jabra’s music with “game changer” (The Mindful Musician) “thrilling writing" (The Mercury), “a wonderful listening experience, gripping, wholesome, moving, tender, and expertly executed” (MusicTrust), “a gorgeous meditation" (Classic FM), “arresting and vibrant" (Stage Whispers) and "catchy tunes & exceptional musicianship" (CutCommon).

Jabra has been commissioned, performed and presented by the Tasmanian Symphony Orchestra, Musica Viva, ABC Classic, Tasmanian String Quartet, Clinch Quartet, Virtuosi Tasmania, Southern Cross Soloists, Xyris Quartet and various soloists from Australia and abroad. Jabra is recorded and broadcast by ABC Classic, published independently and by TSO House, and has been supported by Government House Tasmania, Arts Tasmania, The Winston Churchill Memorial Trust, Hobart City Council, Creative Partnerships Australia, The Banff Centre, Tasmanian Community Foundation, and private benefactors.
His music has been streamed around the world over a quarter of a million times, and he is broadcast frequently, including daily as composer of the theme to ABC Classic’s Mornings program. Reviewers have described Jabra’s own playing as astonishing, virtuosic and energetic, and “the most remarkable saxophone playing”.

Jabra has performed as soloist, orchestral and chamber musician and recitalist, working with the likes of the Tasmanian Symphony Orchestra, Malaysia Philharmonic Orchestra, Hobart Chamber Orchestra, Gilmour Ensemble and Opus House. As a performer Jabra has championed the music of various other Australian composers (particularly those hailing from his home State of Tasmania), including Russell Gilmour, Karlin Love, Don Kay, Maria Grenfell, Simon Reade, Quin Thompson and Timothy Coghill, recording numerous albums of new Australian music and having five concertos written for him.
In 2022 Jabra premiered, with the Tasmanian Symphony Orchestra & Eivind Aadland, Tracks in the Orbit (Concerto for Tenor Saxophone & Orchestra) by British-Australian composer, Luke Styles, a co-commission by the BBC and TSO.

Jabra has been responsible for numerous new music and community engagement initiatives in Tasmania, working variously has performer, manager, arranger, composer, director and producer.

Michael Power

Pianist

Supported by Anonymous

Luke Dollman

Michael Power completed a Bachelor of Music in Performance with Dr Gian-Franco Ricci and Helen English at the Newcastle Conservatorium of Music, during which time he was awarded the Nan Price Memorial Scholarship, and graduated with Honours in chamber music and collaborative piano studies with Gabriella Pusner.

Michael has collaborated with artists such Sally Walker, Andy Firth and Jane Edwards, and performed newly commissioned works by Australian composers including Elena Kats-Chernin, Paul Jarman, Don Kay, and Jim Coyle. He held the position of School Accompanist and Teacher of Piano at Newcastle Grammar School for 14 years, touring as pianist to the USA and China, and held a similar position at the Newcastle Conservatorium of Music.

Since moving to Hobart with his family in early 2020, Michael has performed as orchestral and rehearsal pianist with Tasmanian Symphony Orchestra and Chorus, and in the Festival of Voices. He performs regularly as a collaborative pianist in recital, examinations, and competitions in and around Hobart.

June Tyzack

Creative Director

Supported by Anonymous

Luke Dollman

Known for decades as the chorus master of the TSO Chorus, delivering unique cutting-edge choral theatre for festivals at MONA, and creating bespoke opportunities for chorus’ performances in varied environments, June has also been directing the Obscura series since 2021. Adding to the visual and acoustic treatment of the repertoire, June has introduced olfactory elements to some performances, and she promises to expand the sensory stimulation into the future.

Bob Gardam

Audio Engineer

Supported by Anonymous

Luke Dollman

Bob is an experienced Audio Technician who has been involved in the Tasmania production industry for the past two decades. He has worked as a Senior Audio Engineer, Technical Lead, and Head of Audio at multiple production companies in the state, and has been heavily involved with design, planning and operation of many Festivals including Mona Foma, Dark Mofo, A Festival Called Panama and SummerSalt. His commercial shows with the TSO include Birds of Tokyo, Megan Washington, The Wolfe Brothers and Darren Hanlon.

Mark Hayes

Lighting Designer

Supported by Anonymous

Luke Dollman

Mark is a lighting designer and operator with almost four decades of experience. He has toured extensively across Australia, the USA and through Asia for acts including Little River Band, Icehouse, Pete Murray, Jimmy Barnes, Violent Femmes, Charlie Pride, and Leo Sayer. At home, his work has been seen at Mona Foma, Dark Mofo events, and in commercial shows with the TSO.

Artists

Warren Trevelyan-Jones Conductor

Michael Power Repetiteur/Piano

Caleb Wright Viola

Jonathan Békés Cello

Jabra Latham Tenor saxophone

TSO Chorus

June Tyzack Concept & Creative Director

Mark Hayes Lighting Designer

Bob Gardam Sound Engineer

Matt Neil Projectionist / Video Director

Violin

Emma McGrath Concertmaster

Ji Won Kim Associate Concertmaster 

Lucy Carrig-Jones Principal Second

Jennifer Owen Principal First

Miranda Carson

Yue-Hong Cha

Tobias Chisnall

Frances Davies

Michael Johnston

Christine Lawson

Elinor Lea

Susanna Low

Christopher Nicholas

Rohana O'Malley

Viola

Caleb Wright Principal

Douglas Coghill 

Anna Larsen Roach

William Newbery

Ariel Postmus

Cello

Jonathan Békés Principal

Alexandra Békés

Nicholas McManus

Martin Penicka

Double Bass

Stuart Thomson Principal

Matthew McGrath

Adrian Whitehall

Chamber Organ

Neal Peres da Costa Guest Principal

Orgelbauwerkstatt Kirschner chamber organ courtesy of Van Diemen’s Band.

Theorbo/Baroque Guitar

Simon Martyn-Ellis Guest Principal

💡 FIRST-TIMER TIP

Did you know our Concertmaster plays a violin hand-crafted by one of the finest and most important luthiers (a string-instrument maker) of the nineteenth century, Jean-Baptiste Vuillaume (1798–1875).

He crafted 3000+ instruments in his time and we’re very proud to have a violin made in 1845 on loan from two of our generous Tasmanian patrons.

Soprano

Emma Bunzli

Ruth Croser

Felicity Gifford

Kasia Kozlowska

Sophia Mitchell

Schuya Murray

Christine Ovens

Chantal Roddy

Carolyn Seelen

Yasmin Shoobridge

Joy Tattam

Salome Tobin

Lesley Wickham

Alto

Georgia Bentley

Claire Blichfeldt

Sally Brown

Carmelita Coen

Beth Coombe

Elizabeth Eden

Ann Godber

Sue Harradence

Mary McArthur

Caroline Miller

Amy Richardson

Louise Rigozzi

Georgie Stilwell

Meg Tait

Gill von Bertouch

Tenor

Helen Chick

Michael Kregor

Bill MacDonald

Tony Marshall

David Pitt

James Powell-Davies

Alexander Rodrigues

Peter Tattam

Bass

Geoffrey Attwater

Timothy Begbie

Peter Cretan

Jack Delaney

Liam Filby

Reg Marron

Liam McGuinness

David Ovens

*Correct at time of publishing

Return to Navigation →

Odeon Theatre

Enter the Odeon and breathe in a tangible part of Hobart's story.

Built in 1916, the iconic theatre is an ever evolving cornerstone of live music in the heart of the city. Inspired by the latest New York theatre designs of its time, The Odeon retains a heritage feel, brightened by the influence of modern Hobart. At its core, The Odeon is a celebration of the arts and the community it fosters, inspiring new experiences in live music and performance.

💡 FIRST-TIMER TIP

A 'movement' is a longer piece of music broken up into bite-size pieces. It makes it easier to perform and provides contrast within the work. Find out more here.

Odeon

Getting THere & Accessibility

Everything you need to know about The Odeon.

See Venue Info
Tasman Restaurant

Food & Drink

Whether it's a pre-show nibble, champagne toast, or waterfront dinner – there are plenty of options within walking distance of the Concert Hall.

Read More

Image

💡 FIRST-TIMER TIP

What are acoustics and how do they affect my concert experience?

Acoustics are the science of sound, or the way a venue can deliver the thunderous feeling of strings and brass, or the ring of the triangle over all the other instruments.

Image

Make a night of it

Dinner and drinks beforehand? Oh yes please. 

Indulge in a pre-show 2-course dinner across the road at Stockmans Restaurant. Select a main and dessert with a glass of house wine from their set menu for $55 per person.

Bookings essential, call 6235 5355 or email reception@oldwoolstore.com.au.

Obscura 3 | Transfiguration

Up Next at The Odeon

Obscura 3 | Transfiguration

Strings, but not as you might expect them. A ranging program that encompasses the melancholy, museful, reflective and the powerful. A twilight atmosphere that blurs the meaning of the beginning and the end.

Curated and performed by Satu Vänskä, featuring Jim Moginie (Midnight Oil) and special guests.

See Event
Alexander Gavrylyuk

Coming up at Federation Concert Hall

ALEXANDER GAVRYLYUK

Friday 15 Mar 2024 7:30pm

Grieg Norsk, Op 53 No 1; Kulokk and Stabbelåten, Op 63 No 2
Grieg
Piano Concerto in A minor, Op 16
Sibelius
Symphony No 3 in C, Op 52
Sibelius
Finlandia, Op 26

Find Out More

Our supporters

Whether sponsoring a musician in the orchestra, or supporting our invaluable community programs, so much of what we do relies on you. We offer our deepest thanks to all our Partners, Patrons and Friends.

Support the TSO and connect with our orchestra beyond the concert hall.

Donate Now

Huon Pine Patrons

John Cauchi AM & Catherine Walker Chair Patrons

Anne & Don Challen AM Chair Patrons

Jeff Compton & Annegret Ludwig

Dr Joanna de Burgh

Jane Drexler

Rob & Tricia Greenwell Chair Patrons

David & Catherine Hamilton Chair Patrons

Marie Heitz Chair Patron

In Memory of Ian Hicks Chair Patron

Patricia Leary Chair Patron

Penny Le Couteur & Greg Dickson

Ang Madden Chair Patron

Mountain Air Foundation

R H O'Connor

Andrew Parker & Caroline Sharpen Chair Patrons

Chris & John Sandow Chair Patrons

Dr Peter Stanton Chair Patron

TasPlates

Dr Hilary Wallace Chair Patron

Anonymous (1)

 

TSO Concertmaster Emma McGrath plays an 1845 Jean-Baptiste Vuillaume violin on loan from two of our generous Tasmanian patrons.

Sassafras Patrons

Cath Adams & Steve Craft Chair Patrons

Damian Bugg AM & Jenny Bugg

David & Elizabeth de Burgh Chair Patrons

Marc & Susan Duldig Chair Patrons

Richard & Harriett England

Emeritus Prof Andrew Glenn & Dr Odile Glenn Chair Patrons

Elizabeth Haworth & John Diment Chair Patrons

In memory of Darrell Jones Chair Patron

Mr Don Kay

Belinda Kendall-White Chair Patron

Suzanne Kirkham

John Langford

Diane Matthews

Anthony G McGee AM Chair Patron

Louise & Tim Mooney AM Chair Patrons

Bruce Neill & Penny Clive Chair Patrons

Bill Oakley OAM Chair Patron

Jan & Alan Rees Chair Patrons

Dr David & Mrs Glenys Rich Chair Patrons

Dr John & Mrs Barbara Roberts

James and Jacqueline Roberts-Thomson Chair Patrons

Rotary Satellite Club of Sandy Bay, Battery Point

Margaret Sharpen Chair Patron

Dr Di Stow Chair Patron

Michelle Warren

Deirdre & Trevor Wise

Anonymous (3)

Leatherwood Patrons

Andrew Bennett

Elizabeth Bugg

Janet Carding

George & Jan Casimaty

Dr Josh & Wendy Cocker

Prof Mike Coffin

Beth Coombe

Stephanie Cooper

Simon Coultas

Vicki Cowles & Josef Neuschwanger

Prof Stephen Crump

David Davey & Annick Ansselin

Roger Fisher

Garry Forward & Allanah Dopson

TJ Foster

Jennifer Gale

Giameos Constructions & Developments

Dr Brita Hansen & Frank Halley

Dr Donald Hempton

Peter & Jeanne Hepburn

Janet Holmes à Court AC Chair Patron

Dr David & Donna Humphries

Don & Christine Jeffrey

Prof Matthew Jose

Paavo Jumppanen

Veronica Keach

Judith Ker

Betty Kuhl

Harvey Lennon

David Lloyd

Linda & Martin Luther

Dr Katherine Marsden

Dr Aidan McElduff

Maggie McKerracher

Dominic McNamara

Caryl McQuestin

Sarah Morrisby

Alison Nadebaum

Jan Nicholas

Katherine Olejniczak

Alison E Parsons

Helen Ross & Margaret Whiteside

Margaret Sallis

Deirdre Schoe

Dr Johannes Schonborn

Jenny Scott

Dick & Sue Shoobridge

Christopher Spiegel

Tony Stacey AM & Mrs Jeanette Stacey

Janet Tomlinson

Rowland Turner

Frances Underwood

John Usher OAM

Hank & Elizabeth van Herk

Kim Waldock

Jacqui Walkden

Dr Michael Wilkinson

Geoff & Vicki Willis

Jane Zimmerman

Anonymous (9)

Blackwood Patrons

Simon Allston & Janeil Hall

Dr Nicholas Brodie

Peter Brooks

Jill Burbury

Jenny & Ian Burleigh

Roger Carrington

Dr Helen Chick

Heather & Christopher Chong

Gail Cork

Janet Crane

Amy Crosby

Jane Edmanson OAM

Ms Gail Friesen

Furneaux Arts Committee

Susie Harrison

Sue Hawick AM

Shirley Honeysett

Peter Hordern

Ross Kelly

Richard & Julia Metcalf

Margret Monks

Gisele O'Byrne AM

Tony Purdon

Rotary Club of Sandy Bay

Denise & Steve Southwood

Dr Tanya Stephens

Priscilla Travers

Jeanette Tremayne

Judith & Rod Tudball

Residents of Vaucluse Gardens

Judith Waldock

Jane Wilcox

Polly Woods

Dr Rosemary Yeoland

Anonymous (9)

Silver Wattle Patrons

Michael Alchin

Chris Andrews & Jill-Maree Geeves

May Backhouse

Dennis Bewsher

Jacqui Blowfield

Helene Bogut-Browne

Kim Boyer

Dixie Brodribb

Deborah Brook

Sonia Finlay & John Millwood

Ms Keri Handley & Mr Frank Martin

Sharron Hewer

Ann Hopkins

Peter Jarvis & Ans van Heijster

Louise Klein

William Lo

Sandra Michael

Dobson Mitchell & Allport Lawyers

Jane Monaghan

Clare Morrisby

Dr Robyn Munro

Susie North

Daniel O'Toole

Meriel Owen

Leone Paget

Dr Vicki Passlow

Shane Powell

James Puustinen

John Sexton

Elaine Tack

Grant & Elizabeth Taylor

Diane & Neville Truskett

Julian Type

Kathlyn & John Wheatley

Anonymous (11)

Government Support
Australian Government
Creative Australia
Tasmanian Government
Premier Partners
City of Devonport
TasPlates.com
Tasmanian Government
Hospitality Partner
Polkadot Liquor Wholesalers
Tasmanian Government
Tasmanian Government
With Thanks to the support of the Van Diemen's Band
Van Diemen's Band
Tasmanian Government
Tasmanian Government

Questions & Tech Support

Chat with one of our friendly staff at the TSO Box Office.

We value your feedback

Let us know your thoughts and ideas on the new digital programs here.