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Tasmania's Jabra Latham to star in world premiere

10 March 2025.

On 13 March, the Tasmanian Symphony Orchestra will present the premiere of a new work by Hobart-based saxophonist and composer Jabra Latham.

Although Latham collaborates regularly with the TSO as a composer and performer, the premiere marks a unique moment in the career of this talent musician.

It’s the first time Latham has been commissioned to write a piece for himself as soloist and it is also the first full-length concerto he has written for saxophone.

‘Writing for yourself as soloist presents some particular difficulties - it’s quite a different process compared to either writing for someone else to perform, or preparing to perform a work by another composer. It’s a “two hats at the same time” situation’ Latham says.

Watch the video below to see Jabra and TSO viola player William Newbery discussing the 'two hats' dynamic.

A saxophonist performing on stage with a conductor leading a live orchestra in the background. The musician is playing a brass saxophone while wearing formal attire, and the backdrop consists of a wooden acoustic panel and focused musicians holding string instruments.

Jabra Latham performing with the TSO in Hobart's Federation Concert Hall.

A man playing saxophone on stage.

Jabra playing with the TSO in an Obscura at the Odeon concert in 2024.

The concerto has been commissioned by the TSO, with funding support from a group of music-loving friends who are supporters of the TSO.

Over the past decade, Latham has written several works for the orchestra, include Fire Music, Images of Tasmania and Antarctic Triptych, which was selected as the Mornings program theme on ABC Classic.

As a classical saxophonist, Latham also performs regularly with the TSO, including in the orchestra’s Obscura at the Odeon series.

With his new concerto for saxophone and orchestra, Latham’s aim was to create a piece in which the ‘instrument served the music’, not the other way around.

‘It's not all about the saxophone, or all about me, or all about fast fingers. I wanted to write music that moves the audience, with the soloist being one element that contributes to that,’ Latham says.

Knowing the musicians of the TSO personally has made the writing process more enjoyable.

‘I do imagine the people on the instruments, which is fun and really nice,’ says Latham, who prefers not to dictate how audiences should interpret his work.

‘While some of compositions have particular, and often explicit, narratives, with this concerto I wanted the audience to be able to connect with the music in their own way, without preconceived expectations of how the music is supposed to make them think or feel,’ he says.

Latham’s concerto will feature in the TSO’s Dance Macabre concert at 6pm on Thursday 13 March 2025.

TSO viola player William Newbery and Jabra Latham discuss Jabra's new saxophone concerto.

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